Abstract
In the 21st century, the theater has reached a new level due to the different paths of the ancient subcontinental theatre. The color change and expansion of the theater in the combination of East and West can be said to be a slave in theory in many cases.This research main objective is to make Bangladeshi Weather Shiva dance, yoga meditation suitable for the physical and human preparation of an actor through contemporary interpretation analysis.Bangladesh does not have extensive research on this subject in the world theater arena. We believe that if this research is completed, Indian and Bangladeshi actors will develop their own acting style.This study is qualitative Research methods will be used. Emphasis will be placed on identifying, analyzing, and interpreting patterns of meaning (or “themes”) within qualitative data. The main originality of this research is to discover the tools of actor training based on the theory of own theory in its own environment that the physical human and theory of the actor will be united.
TopConceptualization
Interrelationship between Yoga and Dance
The term dance generally refers to the expression of physical movement. This expression can be seen in social, religious or entertainment fields. Lalit Kalai dance or dance of presenting imagery on stage by gesturing to the rhythm of lyrics. Dance in Indian dance system is divided into two parts. There are two parts - tandava and lasya.
Tandava and Lasya
According to Sangeet Ratnakar, brazen application of angharas is tandava. According to Sangeet-Damodara, Tandavadance is of two types. The two types are Pebble and Polymorph. According to Bharata, once upon a time both men and women participated equally in Tandava dance. Over time, Tandavan dance was prescribed for men and Lasya dance was prescribed for women. Parvati taught Bharata the Lasya dance. Bharatamuni popularized Tandava for men and Lasya dance for women. According to another account, Banasura's daughter Usha was taught classical dance by Parvati. Lasya dance is a combination of Marga and desi dance, suitable for women with sensuality. It contains rhythms and rhythms that are beautiful and nourished by the spirit of the song. There are four types of Lasya dance. These are Lata, Pindi, Vedak and Chain. According to Sangeet Ratnakar in terms of application – the application of lasya is Sukumar and Kamvardhak. According to Sangeet Damodar the application of lasya is sukumar and it is divided into knife and youth parts.
Key Terms in this Chapter
Yoga: Yoga is an age-old Indian discipline that integrates bodily poses (asanas), regulation of breath (pranayama), mindfulness, and moral guidelines. Yoga seeks to enhance both physical and mental health, foster spiritual development, and establish a balanced relationship between the individual and the cosmos.
Meditation: Meditation is a deliberate practice that involves concentrating one's attention or being mindful to attain an elevated level of consciousness, calmness, and tranquilly. Meditation is commonly employed to enhance mental acuity, alleviate stress, and foster spiritual growth.
Actor Preparation: Preparation for parts in acting involves employing diverse approaches and exercises to augment performers' physical, emotional, and intellectual capacities. Actor preparation encompasses the activities of script analysis, character development, and training in voice and movement.
Contemporary Theater: Contemporary theatre that mirrors the prevailing cultural, social, and creative inclinations. Modern theatre frequently engages in the exploration of novel subjects, techniques, and technology, pushing the boundaries of established norms to tackle current societal concerns and captivate contemporary viewers.
Shiva Dance: A ritualistic dance linked to the deity Lord Shiva in the Hindu mythological tradition. Referred to as the “Tandava,” this dance represents the cosmic processes of creation, preservation, and annihilation. The dance is frequently shown with vigorous and rhythmic motions.