A Line of Movement: From Vegetative Development to Animation

A Line of Movement: From Vegetative Development to Animation

Cibele Saque, Antonio Costa Valente
Copyright: © 2021 |Pages: 19
DOI: 10.4018/IJCICG.291091
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Abstract

Surrounded by a plant world that seems to reserve a particular space for change and action, the authors highlight the line element, which seems to play, among others, the role of a bridge between different areas of knowledge. Its structuring and transversal nature implies itself in drawing as a means of aesthetic exploration, branching out its presence in concepts of the synthesis of information, the study of movement, and always in the paths of the word “observation.” Combining visual and perceptive acuity with the power of graphic and formal synthesis of the line, through studies of movement of this involving exploratory space, particular attention is given to lines of support and oscillation of movement through the dynamic progression that models formal development. This reflection seeks to contemplate a potential of the study of the dynamic line to signal observation, understanding of the world (namely from the vegetal development), and its implications in animation cinema.
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The Line Between Observation Contexts

In this way, convoking here the 'line' as an element of visual acuity, in the paths of observation, in the processes of synthesis of information and in the study of movement, we seek its reflections in the filmic creation of animation cinema. In this sense, the “line” and Drawing, as fundamental elements of exploration, formation and understanding, seem to propose the establishment of more bridges between diverse and complementary areas of knowledge. And indeed, the notions of the visual perception of configuration, equilibrium, form, dynamics and expression through drawing, make the 'line' as an especially relevant entity throughout human development and apprehension.

Thus, from a perspective that highlights current cultural ambivalences and fertile spaces for the conjunction of visions, and challenges the exploration of the parameters that frame the current relationships between human beings and their natural environment, we highlight the relevant author Tim Ingold, Professor of Social Anthropology at the University of Aberdeen, and his recent work 'Lines: a brief history' (2016) in which, ....“Tim Ingold imagines a world in which everyone and everything consists of interwoven or interconnected lines and lays the foundations for a completely new discipline: the anthropological archaeology of the line.” (Ingold, 2016, p.i), and where he proposes the shaping of a vision conducive to a systematisation of the look through lines. In effect, Ingold's perspective is constituted by a highlighting of historical references, intertwined with permanent observations of an exploratory nature of the surrounding environment. His reflections, whether in the context of historical cultural paradigms or today, establish multiple relationships between disciplines such as archaeology, classical studies, art history, linguistics, psychology, musicology, philosophy and many others. Through them, the author, seeks to reveal the idea of how the line has affected our understanding and development. According to Ingold,“Yet it takes only a moment’s reflection to recognize that lines are everywhere.” (Ingold, 2016, p.1) and that human beings generate lines, for example by walking, talking, gesticulating, “It subsumes all these aspects of everyday human activity and, in so doing, brings them together into a single field of inquiry.” (Ingold, 2016, p.1)

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